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LIVE PERFORMANCE: Team Doyobi
'The Team Doyobi aesthetic is based around a merging of both old and new electronic / digital technologies. Largely eschewing the use of samples, they work instead via hand-drawn soundwaves and wave-form editing, generating loops through (often random) Amiga sequencing. Melodies are formed from gritty FX. Shifting and densely-layered. A stunning chaotic space of shifting, glitch-riddled electronics, machine chatter, foggy FX and juddering jerk beats.' (www.fat-cat.co.uk/splitart/splitart01/splitart07a.html)
Team Doyobi are Alex Peverett and Chris Gladwin who will be performing with interactive video sequencing by James Brouwer. All students and graduates of Phonic Art and Time Based Media at Hull School of Art and Design.
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EVENT: c90
End of Festival night featuring:
Hot Snack
Alex Peverett [Team Doyobi]
Alistair Leslie [Antenna Farm]
Jim Backhaus [Kosmiche]
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EVENT: Hot Snack
Hot Snack will be serving-up a dinner time set in The Showroom Bar.
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WORKSHOP: net.radio
Ashley Gillard and Terry O'Leary from Interface Radio (London) lead an informal practical workshop allowing opportunities to ask questions and see all the elements needed to webcast.
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PRESENTATION: net.radio
Heath Bunting, Rachel Baker (Radio Nation), Audrey Okyere-Fosu (Hull Community Radio), Mary Dawson, Jonathan Pinfield and Tez Burke (Bradford Community Broadcasting). On-line audio culture is thriving and net.radio is ripe for colonisation by both commercial projects and pioneering projects produced by small independents. Anyone can become a broadcaster. net.radio and MP3 technology allow the most obscure material to be made available in the public domain. So, who are these broadcasters and how can you become one? The panel present net.radio projects discuss infrastructures and debate the future of broadcast. This session is staged in association with the Community Media Association who will be staging a hands on workshop on how to net broadcast following this session.
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PRESENTATION: IDEA Arts Lab Projects 1999
Artists from IDEA will be presenting collaborative projects produced during its 1999 Arts Lab programme.
splitshift: an innovative new arts project featuring both interactive gallery and digital web broadcast station. A Manchester exclusive, this dual project showcases the work of of over thirty local artists and its web gallery allows international participation.
webcinemaconcret: Welcome to a new form of film making. This project showcases experimental forays in making movies specifically for viewing on-line. Over six weeks 25 film makers developed a form of production specific to the web.
IDEA (Innovation in Digital and Electronic Art) is a Manchester based not-for-profit organisation established in 1996. Idea provides training, development and production opportunities for artists and creative technologists both face to face in Manchester and over the web. Contact Jen Southern bus.gas@mcr1.poptel.org.uk
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EVENT: Absynthesis
A journey into the world of the Absinthe drinker, with a soundtrack to match.
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LIVE PERFORMANCE / Launch Night: Kaffe Matthews
Noisy rhythms and abstract cyber landscapes - Kaffe's music defies the rules and regulations around sound and performance. She starts each show with no sound and grabs from what's there, making pieces crackling with digital tones and static., fizzing into pounding beats and cut to some hanging still space of beauty. The music is vast, sculpted into textual landscapes, vibrating granular technohymns and beats, via her on stage processing of sound from carefully placed microphones and an occasional violin.
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FILM SCREENING: Digital Shorts Two
A series of 3D & 2D light hearted computer animated narratives. The programme includes:
Boris Habek + D'amir Wanguard - Intergalactic Souvenir Shop
Francais Vogell - Faux Plafond
Christian Boustani - A Viagem
Bruce Currie - Love Song
Christian Holland - Mr Rawson: A Case History
Peter Lemken - Rendezvous
Sam Morrison - Emma 18
Benjamin Smith - The Millennium Bug
Toyota Goldfish Idents
Daniel Barber - Aerial Fantasy
Frank Budgen - Bet on Black
Christopher Leone - To Build a Better Mousetrap
Erwin Charrier - Un Temps Pour Elle
Patrice Mugnier - En Derive
Christian Sawade-Meyer - Stationen
Geoffrey Guiot, Bruno Larde + Jerome Mailot - No Way
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FILM SCREENING: Digital Shorts One
A compilation of short experimental films which address and utilise new technologies in their concept and production. The programme includes:
Tony Kemplen - How Will It Be?
Toby Penrose - Pianoman
Brigitta Hosea - Virus
Milla Mallanen - Wanted
Magdalene Kourti - Weightlessness
Katerina Mistal - All Skit Ska Bort
Derin Seale - Static
Julian Dajez - U-Man / U-Man Graduation / Bio Zoo
Mikros Image - Attack
Maru Gondo - Auto-matic
M Notdef - notdef
SKOT - Aus/Fennesz / iii/Pita / Farmers Manual Live in Stockholm
Dirk Holzberg - n*ich eskalopp
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PRESENTATION: Digital Space #1 - Terre Thaemlitz, Kim Cascone, Julian Baker The Digital Space Programme is an ongoing project that aims to respond to the expectations of artists in the field of digital sound whilst also inspiring others to move into new territory. The first phase of the project culminates in the publication of a double CD+CD Rom package which contains new works by artists from around the world , some of who present their work in this discussion.
The individual commissions within Digital Space are held together by the tension of diversity leaving the question of coherence and commonality open for the listener. The interactive CD ROM represents an opposite movement towards sound from visual art, computer programming and game design. Here the artists are working in an area where sound is suspended awaiting the input and response of the audience. Graphical interfaces provide a means through which to play the sound and present possibilities for controlling and creating sound and music in new ways.
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Void Spaces Symposium To complement the exhibition Void Spaces, this symposium will explore the emerging relationships between new technology and live performance. It will include presentations from digital arts producer Terry Braun and curator Mike Stubbs concerning the possibilities and development of new media arts practice in the UK and beyond.
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LIVE PERFORMANCE: Kim Cascone
Kim Cascone has been working on a triptych of computer music for the past 3 years. The first two releases "blueCube ()" and "cathodeFlower" were investigations into some compositional techniques he was developing at the time. His final installation of the triptych is titled "residualism" and takes these techniques in a somewhat different description. Instead of embracing long flowing works residualism contains smaller atomic pieces which can be combined and layered in any way for future projects. The inspiration from this came from when he was on holiday in Los Angeles. Walking into a clothing boutique here the owner had a popular sampling CD playing on the music system. Instead of hearing a composite, layered mix of these samples as typically used in techno compositions, everyone in the shop was enjoying a more "atomic" form of music. Instead of the parts making up the whole, the whole was the individual parts. "residualism" is an attempt to utilise this format to explore small units of sound information.
"residualism" was developed for the Lovebytes Festival and is tentatively planned as a CD release on Mille Plateaux/Ritomell later this year. "blueCube ()" was released on Rastermusic in 1998 and "cathodeFlower" was released on Mille Plateaux/Ritomell in 1999.